As stated, I begin with a cradled panel. It is prepared with multiple coats of high-quality primer and/or acrylic gesso. Everything begins with base coats. From here, I enjoy building up layers of decorative acrylic-based plasters or paint glazes. I have begun with a printed reproduction of a photo, mounted and sealed it to a panel, and then worked over that with paint and plaster.

I use a variety of plasters, paints, stencils, glazes and mediums. Some materials I use have been specially formulated for the high-end decorative and faux painting industry. Its fascinating how much like more traditional art supplies they behave. As such, I use different product lines, and for different reasons. Fine artist acrylic paints, textural materials and other media are also on the palette. I search for corporate cross-overs. ‘Golden Paints’ have a great line of materials under the label ‘Proceed’.

Since I use a variety of mediums and products, I use a variety of tools. I use trowels of different sizes, makes and configurations, and a variety of brushes designed for decorative work. Many are tailored after brushes you might find in a traditional art store and some more specialized. And yet, just a tore up piece of sea sponge can be used as a type of brush and may be enough. The limits for any tools use, is in the artist’s mind.

At times, it is the simple matter of adopting something from a decorative painting tradition and looking for a fine art application. That also works in reverse. I am always considering how materials or tools are used by craftsman. How these tools can be adopted and used for decorative or fine work. There is little limit to the possibilities. I am reminded of the many artists over the centuries who have painted walls or ceilings. Embraced texture, boldness and experimentation.